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There is no dearth of recordings of the Bach Orchestral Suites, but this new one goes right to the top of the list of recommended performances. Pearlman and his Boston Baroque play on period instruments but there is never any stridency in the strings, none of the odd pressured quality that can creep into ''historically informed'' readings. The 3rd and 4th suites, the most heavily scored, are given truly rousing readings, with the trumpets and timpani making a joyful noise and the oboes and