Tango - 172 - Page 3
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Orchestral Work 4
4.3 out of 5 stars with 228 reviews
Leroy Anderson etched out his own unique place in American music - a composer rigorously trained in the classical tradition whose records topped the pop charts, a meticulous arranger of music whose own melodies were crafted with inventive precision.Shrink-wrapped.
Orchestral Works 2
4.5 out of 5 stars with 209 reviews
No Description Available.Genre: Classical MusicMedia Format: Compact DiskRating: Release Date: 26-JUN-2007.
Back from Oblivion
4.8 out of 5 stars with 71 reviews
Danses Doubles-Jeux (10th Anniversary Release)
4.4 out of 5 stars with 35 reviews
Luxury Limited Edition: In celebration of its 10th Anniversary, Naive presents a selection of best selling recordings that have made a huge impression over the years. The original CD is represented in a book with enhanced liner notes and a second disc (either CD or DVD) with pictures, interviews or studio recordings released for the first time. Limited Edition Titles: Accentus: Transcriptions (CD & Bonus CD) Doulce Memoire: Du Carroy (CD & Bonus CD) Anne Gastinel: Schubert - Arpeggione (CD &
4.7 out of 5 stars with 257 reviews
''South-of-the-border crossover with an appealing difference... Daryl Runswick's tangy arrangements of Latin dance favorites, pop standards and light classics sound as if they were written expressly for massed cellos (with rhythm backing). Conductor Geoffrey Simon puts his 24 London cellists through their paces smartly. A delightful and self-recommending addition to Cala's London Sound Series.'' -- John von Rhein, Chicago Tribune Latin Cello crosses classical borders with its earthy,
4.6 out of 5 stars with 193 reviews
Composer and accordionist Richard Galliano owes a lot to Astor Piazzolla. Sure, he's tackled improv-jazz and French musette music, but--at the heart of performances--the tango is never that far away. On Passatori, Galliano pays homage to Piazzolla's classical repertoire (swinging orchestral works that sway from gentle ballads to dizzying tangos) by performing both compositions from the Argentinian master and originals that clearly show his influence. The opening movement to Galliano's
mpn: MFR099923721123#VG, ean: 0099923721123,
4.4 out of 5 stars with 273 reviews
Igor Stravinsky ~ Stravinsky: Symphonies Of Wind.
Sonatas & Encores
mpn: MDG0985, ean: 0760623098524,
4.2 out of 5 stars with 60 reviews
MDG 642 0985-2Gerhard Taschner.
4.9 out of 5 stars with 202 reviews
With his ninth album, ''Piazzolla Forever'' (Dreyfus Jazz) Galliano pays homage to one of his earliest inspirations, the man he often refers to as his ''spiritual father.'' Rearranging 10 compositions by Piazzolla for accordion or bandoneon, piano and string quintet, he and the Richard Galliano Septet transform each tune into a personal statement of stirring beauty. Recorded on the sold-out world tour of the same name, ''Piazzolla Forever'' includes such classic Piazzolla compositions as ''Le
4.0 out of 5 stars with 267 reviews
mpn: 6 3 04685282, ean: 0028946852828,
4.1 out of 5 stars with 101 reviews
DUTOIT CHARLES / SYMPHONIQUE DE MONTREAL PIAZZOLLA: TANGAZODUTOIT CHARLES / SYMPHONIQUE DE MONTREAL PIAZZOLLA: TANGAZO.
Paganini: After A Dream
mpn: MFR044006555423#VG, ean: 0044006555423,
4.5 out of 5 stars with 157 reviews
Carter,Regina ~ Paganini: After A Dream The title of this project is aptly-named. Regina Carter, a Detroit-born, classically-trained jazz violinist, traveled to Genoa, Italy in December, 2001, and performed on Paganini's legendary Guarneri violin nicknamed ''the Canon.'' After winning the hearts of the skeptical Italians, with armed gunmen surveying her every move, Carter played flawlessly, and became the first jazz musician and African-American to the play the instrument. The next year, Carter
Last Tango In Paris: Original MGM Motion Picture Soundtrack
mpn: RCD 10724, ean: 0014431072420,
4.3 out of 5 stars with 254 reviews
Steeped in controversy upon its release in 1973, director Bernardo Bertolucci's Last Tango in Paris has since been called everything from nonutilitarian pornography to a cinematic masterpiece. Two key elements that Bertolucci utilized to breath life into Tango's nihilistic themes and the dark, obsessive relationship at its core were Marlon Brando's harrowing, largely improvised performance and the erotically charged jazz score of self-taught Latin sax virtuoso Gato Barbieri. While the
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